Anyway,
apart from that there's one question/comment that I hear a lot:
“Did
you/will you base a character off of me?” or “I think I know
which character you based off of me.”
Now,
to be fair, this is no one's fault but my own. In my first post I
talked about how the protagonist of my book was essentially me, but
in breeches and tallboots. Well, it shouldn't be a surprise that an
author who writes herself into her world is also going to write
people that she knows into her book.
I
think it harkened back in my days of writing fanfiction with friends.
When I was in high school, especially my freshman year, one of my
best friends was really into fanfiction. We started working on one
together for the Redwall series by the much-missed Brian Jacques. We
had this huge outline and all our friends were in it. It was a lot of
fun to go to people and show them a scene or a character bio and
watch them react when they realized that they were, in fact, one of
Log-a-Log's shrews or a fearsome badger. I think I was a squirrel. We
did end up getting distracted and ended up abandoning the project,
which was ultimately for the best.
However,
for a long time when I was working on my own original characters I
followed the same pattern. So, the first draft of the EBR featured
not only a self-insert Mary Sue, but also a number of supporting Sues
and Stus, all based on people that I knew.
:shudders:
I
promise I'm not exaggerating, dear reader; it was bad.
Thankfully,
as I worked I started to run into some problems. Strangely enough, I
wasn't afraid to torture my self-insert. I put that poor creature
through hell. Unfortunately, I dealt with it by making her
“practically perfect in every way”, although if I'm honest you
should probably go ahead and remove the “practically”. But the
problem was...I found it incredibly hard to treat my characters as I
needed to when they were closely based on people that I know.
The
title of this post is a much-loved axiom in the writing community and
for good reason. How can you have an interesting story if you aren't
willing to put your character through anything? Would Harry Potter
have been half as interesting if Harry hadn't been flawed and put
through the ringer? Would we have cared about him so much if we
hadn't been with him through his lowest moments? Or, my fellow
Supernatural fans, how much are the Winchester boys tortured
in-universe? Talk about sending your characters to Hell and back. Any
Joss Whedon fans out there? There's a reason that the man's name is
now linked to a trope
that is often used to reference “gutwrenching main character
death”.
In
other words...characters have to suffer. Literature has often been a
way for humanity to come to terms with the often brutal nature of the
world that we live in. That is part of why some of the most enduring
stories aren't the ones that pretend that the world is all sunshine
and rainbows, they are the ones where characters are dealt the
shit-end of the stick and manage to make it work.
As
a reader, I can usually tell when an author is pulling punches. It
yanks me out of a story when a character should suffer some
consequence for their behavior and they don't. If they are someone
who treats everyone around them terribly, then I don't want to see
everyone around them sing their praises. I don't want to see a
character make stupid decision upon stupid decision and get rewarded
for it. If a character screws up they should have to deal with it.
Those
things are what make writing about people one knows and cares about
almost as dangerous as writing about oneself. How can you possibly be
open to anything happening to your characters if you are trying to
protect them for the sake of the people they are based off of?
This
post is pretty much the long way of saying that I don't want to
“throw rocks” at people I care about, but I do want to throw them
(hard) at my characters. If I write someone I know into anything I am
working on I know that I am
going to be inclined to make that character's life easier. And
there's a flipside to that too. I don't want to write about someone I
know who I am inclined
to throw rocks at.
I
am not a perfect person. I am not universally liked and I make no
pretense of liking everyone. There are people who I have not had good
relationships with. I don't really want to be the author who is
obviously attacking those mean cheerleaders from high school.
Writing
people you know into your work is of course your prerogative. It is
your story. I just wanted to talk a little bit about why I got away
from it. That's not to say that there's nothing
in common between my characters and people in my life, but I no
longer base a character directly off anyone I know and I hope this
post explains some of why. If I am worrying about protecting
characters or managing the feelings of the people who might recognize
themselves in my work then I am not working towards writing the best
story I can. The characters and the world need to work together. As
much fun as it would be to bring my dear friends and family into the
worlds that have come to mean so much to me...it's probably for the
best that they stay out. I hear the creator of those worlds is a bitch.
This makes me feel much better. You killed an awful lot of characters in the first one. When I told Hubs that, he asked if I was one of them. Hence my question to you about it. How many others, approximately, asked you, too?
ReplyDeleteA fair few of my close friends have asked me the same question, which is part of why I wrote this post. Hopefully it helps. :)
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